Showing posts with label gearheads. Show all posts
Showing posts with label gearheads. Show all posts

Friday, March 21, 2008

Musings on Gearheads, Part II


Writings relating to gear and setup in the bass world are usually of two categories. One is the standard "Here's what I like" variety. In this sort of article or blog post, the writer basically lists what equipment they use and describe why they like it. This question is often also asked in interviews of bassists. I'm not a big fan of these, and here's why: I'm not that person, I'm not playing that bass, and I may not be making the kind of music that that person wants to make. Some bass player telling me they use two Flexocor Originals and two Eudoxas with their Kolstein All-Weather Rosin tell me virtually nothing about what sort of equipment I should be using when I play on my bass and bow. The only solid value this information has to me is in aggregate; if I see everyone trying out a new string or rosin that might mean it works well enough for enough people that I should try it out. Otherwise, it's not very helpful. Even if I know how this bassist sounds and like it, there's no guarantee that my bass would make the same sound with those strings and rosin.

The other variety of gearhead writing is of the review/advocacy type. Someone reviews or tries out some new stuff and comments on it. This has many of the same problems as the "Here's what I like" category in that I can't understand what that equipment would do for me. Plus, this sort of writing can be colored by bias or conflict of interest if the person has a relationship with the maker of the product.

The writing I want to see about bass gear would:

- try to achieve some sort of objectivity in its presentation of what gear does; and
- try to describe how gear would react to certain types of basses, especially student level instruments that are readily available. That way I could understand how the gear might work on my bass, since I can readily compare my bass to the readily available "control" instrument.

I try not to complain about something unless I can contribute in some way to improving the situation, but in this case I have to confess to not being able to do much to improve the quality of bass gear writing. I simply lack the passion for the topic, and the thought of sitting down and writing something meaningful about what a certain set of strings does for me makes my insides shrivel up. It's tough enough for me to sit down and write something (that doesn't suck) about things I am passionate about. So, consider this a shout into the void of cyberspace: Where are you, person who could blog meaningfully about strings and other gear? Why do you remain silent while generations of bassists ache to hear your mighty voice? Come forth and save us from crappy strings!

Saturday, January 26, 2008

Musings on Gearheads




by JW

I have never been a double bass gearhead. Even in the times of my life when I was thinking about music and bass 24/7, I was always more interested in talking about phrasings, musical ideas, technique pointers, fingerings, and bowings than I was in talking about rosin, strings, setup, string action, bows and basses. In my student days I was often dismissive of the gearhead crowd. "Why don't they just practice instead of yakking about the latest Flexocors?" I would think. I imagined myself inhabiting a more idealized world of "pure" music-making while they concerned themselves with the minutiae of bass mechanics.



With age comes (at least a little) wisdom, and today I have much more respect for the gearheads. Part of this came when I finally purchased a bass that was really easy to play solos on. For years I had played solos on my big orchestra bass, and I figured that any difficulties I experienced were the result of my own inadequacies as a player. Then I found out that I could play solos amazingly well once I had an instrument that really worked for solo playing... This may seem like a big "duh!" to some of you, but it was a surprise to me. I think this was at least partially because I didn't really trust my solo playing for a long time and couldn't imagine that it was my equipment holding me back.



Playing bass is a physical act, and to realize my idealized musical goals I need to consider what tools I need to use to accomplish them. That includes basses, strings, bows, rosin, endpins, but most importantly, it includes my own body. When I use my body in a natural and efficient way, not only do I keep myself from getting injured, I also am able to be the best musician I can be. Good music making involves both understanding and hearing the idealized concepts that we want to create and making sure that all of the physical elements we use go into creating that ideal performance are a help and not a hindrance.




In future posts I'll return to some of these concepts...